Tell That One Story

Episode 3: The Pig's Head

March 30, 2021 Liz and Jeremy Season 1 Episode 3
Episode 3: The Pig's Head
Tell That One Story
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Tell That One Story
Episode 3: The Pig's Head
Mar 30, 2021 Season 1 Episode 3
Liz and Jeremy

Liz volunteers as part of her college improv class to be a headless cadaver in a haunted house, only to learn that she's not cut out for it … and that one of the college boys would like to get to know her better. Young college love in a haunted house? What could go wrong? 


Show Notes Transcript

Liz volunteers as part of her college improv class to be a headless cadaver in a haunted house, only to learn that she's not cut out for it … and that one of the college boys would like to get to know her better. Young college love in a haunted house? What could go wrong? 


Jeremy:

Hello, this podcast contains interesting and humorous stories. These stories are real and told by real life people, the names in these stories have been changed to protect the innocent and the not so innocent. You have been warned.

Liz:

Welcome to tell that one story, an anecdotal podcast to brighten your day. I'm your co-host Liz

Jeremy:

and I'm Jeremy.

Liz:

Hey Jeremy. How's it going?

Jeremy:

Good. Good. I got to tell you, did you ever play the Zelda link to the past game back in the day?

Liz:

Yes. Oh, in, in a day, long time ago that doesn't at all date me. If I can answer that question without being outed for that. Yes, definitely. One point when I was. Either young or old, new or young? Yes. Sorry. Continue. What, what do you like about it? You can't, you have to tell me if you're a cop. Are you a cop?

Jeremy:

Well, I just I've been playing it lately. So the, the long story is I ended up buying a different game, hoping to try to get this game, but it wasn't on the online marketplace. And then I was browsing that marketplace randomly. And then I'm like, I think this is part of a bundled, super Nintendo package and it shows up and I am literally, I was like, Oh my gosh, I got to show my kids how to play this game. This is legendary. This game.

Liz:

It came in a bundle. It was a little bundle of joy for you. This bundle here and in, it was also Zelda and somebody else. Okay.

Jeremy:

The Super Nintendo pack. Right? So you get super Mario world. You get about 70 games, Super Metroid.

Liz:

70?

Jeremy:

Yeah. There's like a lot. I don't know if that's the right number

Liz:

It's your childhood and they're like, this is what we have laying around. Please buy it from us.

Jeremy:

Yeah. Grab bag. And I don't know about you guys, but I have so many fond memories. I have not been this excited about anything in decades. Like giddy excited. I wake up and I am

Liz:

your birth of your children.

Jeremy:

Definitely excited. No, that's not giddy. That's a little nerve-racking.

Liz:

Just even the second one. Okay. No, that's fair. That's fair. Please.

Jeremy:

The second one That story's for another time. So we get this and I have to, I have to be honest every day for the last week I have. Gone to sleep thinking about this game, and now I've played this game. I know everything about this game. I beat this game when I was a kid or when I was younger, I should say, and to go back and replay, it is just so happy. There is something so simple about that game,

Liz:

the connection that you guys have. Okay. I just, I just, um, I know I keep interrupting you and I apologize, but it is so beautiful the way that you. You know that saying, they're like get someone who looks at you the way that Jeremy looks at Zelda, shadows of the past, because the way you're describing, go to bed, thinking about it. And then I get up excited to be. And then we spend this time. It reminds me of years ago when we were together and now we're back and it's just a simple, effortless connection. And it's just like, it's true. Love. This is what it is supposed to feel like. That's a beautiful story.

Jeremy:

I feel true love about the legend of Zelda, a link to the past,

Liz:

Alright, I not judge, continue. Is it the same, like poopoo graphics or is it updated? It's

Jeremy:

the same like 16 bit graphics graphics. Oh my gosh. I mean, to be honest, when the graphics first showed up my kid like, Oh my gosh, this is so What is this? They literally were like, what is this? Why is this look like this? And I said, well, this is what we used to have to deal with. I mean, it was even worse. There was even eight bit before this. And so, but then within 10 minutes they're watching it. They kind of like, you know, the graphics aren't that bad. Like I totally get it. And so part it's the graphics and part of it is how kind of simple the gameplay is for the game. It's not. You know, the new Zelda games it's expansive. Like you just, you could spend so long doing it and you get into a dungeon and a dungeon as at least a two hour commitment on my part.

Liz:

Whoa.

Jeremy:

On the new ones. Right. And so it's a relationship like you really have to commit to work through it together. You do. To play this one where you can throw it on.

Liz:

I can play a dungeon now and maybe 30 minutes, 45 minutes, you know, and bam, you're an adult. You're grown up. And you've spent a significant percentage of your life on this game. So now is your moment.

Jeremy:

None of it, none of it is regrettable. So, and it's just the concepts, you know, they're in their weapons. I forgot about, I was like, Oh my gosh, there's the cane of Smyrna. I forgot about that. And it does this. And there's the cloak that makes you invisible. I literally remember writing video games based on this one. Like I was like, Oh, I'm gonna make my own Zelda

Liz:

map. I didn't know you wanted to make good video games when you were a kid. Oh, wow. I'm realizing now I want to know what these stories are. And I might have a platform for which you can talk about them, but

Jeremy:

games I wanted to

Liz:

create. Yeah, I can, we can design this together. We could crowdsource it and then find some developer and launch it and it will be Jeremy's fight with, to save... Belda and his zincs to the past, you know, shadow or something, the legend of Hilda, The Legend of Hilda: Blinks awakening. Exactly. You see really clearly non copyright trademark free to you.

Jeremy:

I mean, what do you think? I mean, not to cross podcasts, but like I've always had a vision for Atheria too. So, Oh, I wouldn't even need, have a storyline. Like there could be one there

Liz:

I'm excited for when you're the next JK Rowling and we can enjoy our adventures together.

Jeremy:

That would be so awesome. Oh my gosh. But however, we need to talk about our podcast and this one, remember how we're actually doing a podcast here about our funny stories,

Liz:

right? Yes. Who's turn is it?

Jeremy:

I think it's your turn.

Liz:

It is my turn. That's right. This is a podcast where we tell dumb and embarrassing stories of our past my is my turn to tell a story. And so Jeremy buckle up. Hold on. to your butts, cause we're going back in time. I am 19. I am 19 years. Don't matter. 19. This was five minutes ago. It's fine. Did I have a pager? No. Did my phone,

Jeremy:

The fact that you even said, did I have one? You know what? It is, dates you and me for that matter.

Liz:

So it is the past. I am 19. It is October. It is around Halloween. I am in community college and I am told by my improv professor, cause I took improv. I was so terrified. I hated being in front of people.

Jeremy:

So this was like, A formal improv class.

Liz:

Yeah. That I got college credits for. And I was so scared to be in the class, but it was great. The teacher for that class was also ran one of the local improv groups here in Seattle. So, oops. I name dropped a city. It's Seattle spoilers. And so. He said, Hey, there's some people in this improv group, who've put together a haunted house for charity would,. if any, they're looking for volunteers to help run the haunted house. So he wanted you

Jeremy:

to help out with the haunted house.

Liz:

He was just saying it begrudgingly, the youngsters in his group have put together this haunted house and he promised them he'd mentioned it.

Jeremy:

Was he like, curmudgeoning?

Liz:

Well. I mean, he, he was experienced enough to know this was a bad idea, but he's like, whatever, I'm going to tell. These kids. And I was like, Ooh, I can meet people. You know,

Jeremy:

Wait, hold on, is the understanding that you're going to be part of this haunted house improving like a scary monster. Like you're going to be a, a mummy or are you going to be a vampire? That's going to attack somebody.

Liz:

Oh, that would be so much cooler, but no, it was more like they need bodies, like physical people to manage the line. Is anyone interested? Yeah. So it wasn't even like, as part of the class, God, I like your story better. You want to tell my story?

Jeremy:

I thought that was obvious. That was an obvious connection.

Liz:

Yeah. And obvious connection. I think I just, they need people to take tickets. Yeah. And I mean, at that time I had worked a little bit and like high school theater and, and thought about maybe like events might be a cool path. So this was before I was truly the list that I am today. So I was more just I didn't have a lot going on so I was like, I'm going to volunteer. So I go down to this and,

Jeremy:

you must have looked like the manual labor type.

Liz:

Yeah. That's me. Yeah. I showed up, well, I mean, I think I showed up in all blacks, right. Because theater or whatever, but, Oh my goodness. From an events perspective, Jeremy. It became clear that a bunch of kids, maybe college age got together and were like, what would really be fun is if we put on a haunted house and there were people next to them who was like, Hey, actually we've produced a lot of successful haunted houses over the years, you know, done stuff for charity and it's been great. And they were like, cool. So if you do it for charity, you can get people to work for free.

Jeremy:

Oh my gosh. These college kids.

Liz:

Yes. Yeah. But they're like, okay, see ya. So they'll spend weeks building this haunted house inside this, I think it's a warehouse and just. Put an enormous amount of detail into it. It, you know, with walls and there's like this thing that jumps out and I'm not getting into detail for a reason, because then they're like, okay, we're done. It's great. Let's open it. And they're like, Oh no, no, no. The Fire Marshal has to come in and they're like the who the what? So that guy comes in and he's like,"Oh no, this is a.... death! Shut it down! Shut it down!

Jeremy:

There's rules and regulations. We have to do.

Liz:

Exactly! Yeah, no. Yeah, exactly what happened. So then the fire marshal shows up. And he's like, no, this is the worst.

Jeremy:

Oh my gosh.

Liz:

There's no sprinklers. There's no exit signs,

Jeremy:

It's a literal hazard. Like people could die in there.

Liz:

Like it's a firehouse, it's not a haunted house, but not like the good kind of firehouse where they put out the fires. But the firehouse where they make the fires.

Jeremy:

That creates the fires. People could have...

Liz:

we could advertise it. That's how scary it is. Want to lose custody of your children?

Jeremy:

Are you tired of kids? Are you done with the responsibilities of parenting?

Liz:

This all happened before I even got there by the time I showed up to the project was when they were running around like mad, trying to reset up what they could in a parking garage with actually thinking about through the safety.

Jeremy:

They had done all of this planning in this warehouse and all of a sudden the fire departments like or the fire marshal's like, Nope, you're done. You can't do this. Your breaking all these codes. And so they literally like picked up and moved shop to a parking

Liz:

garage. Well, yeah. And I don't know why they chose the parking garage. It may be the parking garage. Had levels and it already had built-in exit signs and things like that. So they in sprinkler systems. Oh wow. I wasn't there where they were sourcing the next location. I did not know this part of the story until like day two when I was like, that makes sense. Was

Jeremy:

this at least an abandoned parking garage? Like a haunted one?

Liz:

No, no, no. Well, it was a rundown.

Jeremy:

Had somebody

Liz:

died there? Yeah, it was underneath the brewery that sponsored, or next door to the brewery that sponsored the event. Okay. This may be been where I felt like incredibly competent at my job as an event manager, which I would later become a super event manager. At this point. I was just a newb being like, that's an interesting style. Maybe we do people usually like look into rules and regulations before they build an entire building? I don't really know. I'm new!

Jeremy:

What do I know? What I, what do I know? I'm just, I'm just a volunteer from the community college.

Liz:

I can't even legally drink. Who knows? And so, um, there were cute boys there because it was college boys and people setting up. And so I think they were excited to be like, cool kids. Oh, Hey, Hey girl, uh, want to come back to my haunted house? So there was some cute boys. I remember there and they set this place up. You could tell, it was like slap dash. They had all these rooms. Where they, they were just dumping stuff left and right. One day somebody showed up with a severed pigs head an actual severed pigs,

Jeremy:

like a pig that had been alived, alived, alive.

Liz:

Literal giant, alived, formerly alived P.I.G. R.I.P. P.I.G. Like it was and its head. I think he got it from a butcher and he was like, this is so cool. It's the college boys guy. Like'Oh my gosh! this is so cool'. So they put it in a, a sink with ice in like the corner of a thing. And I remember thinking this feels like a health hazard, but you know, it was there for like three weeks or two weeks until the thing closed. Oh, my gosh. So it was kind of like what weird things have I found? Oh, here's a rusty hook. Let's hang it in the background. It was like, anytime they came across something weird or gross, it like made it into the mix. Yeah. Got thrown in somewhere. I know it was, it was awful. So, and you know, again, these guys are like,'Hey, hey girl'

Jeremy:

Like my pig's head over here?

Liz:

Like my pig's head?

Jeremy:

I can show you more where that came from.

Liz:

Yeah, exactly. So there was some weird stuff, but the one cool place and I ended up getting to work. I don't even remember what it was, but it was, um, like what they called it, but it was a dark room. So you go to these levels of this parking garage and then on one level, like the whole level is just. Dark, you walk in and you realize you're in a parking garage. It's like four parking stalls wide and like 25 long. And it's got curtains around the edges and you walk in and you just see that there's this curtain off area and there's nothing else in there. And then the light goes out. And so it's totally dark.

Jeremy:

You're not in the haunted house, acting improv using your improv skills?

Liz:

No, but I get to, I got upgraded

Jeremy:

really? How did, wait, how is there a story there? How did you get upgraded? Who did you have to...get to know?

Liz:

Kill?

Jeremy:

Or kill.

Liz:

Uh, we needed a ghost. So I was like, I volunteer him and I thank you. Now. I think I was just, I mean, I, wasn't going to tell this part of the story, but I was just really bad at all the other jobs. I was supposed to play a severed head and do that. And I was like ahead with a mustache on, because I'm supposed to be like this ax murderer dude is being. Talked to by one of the heads that he cut off and he's going insane or something. And so the heads start talking to him. So it was like fake heads. And then there's like a real head like, wow. And so it's just the banter back and forth between them and I'm laying down, but also propping up my neck. I was so embarrassed. I was, I was the quiet, blushing, severed head. That was just like bright red. Just repeat what he was saying, because I figured like, well, that's something I'm proving I'm alive and it would drive me crazy. And like a few minutes later, they're like, Oh Liz we could use you over here. Success! Working my way up the chain.

Jeremy:

Need to put a sheet over you. And don't say a word.

Liz:

Well, it's funny. You should say that. Um, it's in this room. Your experience, if you walk in someone like walks you in and says, okay, the exit will open up when it is ready across the room. So there's like a, I don't know, like a 30 second experience? And the lights go off. And then a strobe light effects happens where it's just really quick and there's down, it's dark and quick. And then what, so the effect is the strobe light comes up and you're like just for a second and you see the people you're with, and then you realize that there is a figure. In all black.

Jeremy:

Coming after you?

Liz:

Yeah, a figure that's coming after you.

Jeremy:

Oh my, I hate this.

Liz:

Yeah, it's great. Figure in all black and a black mask with no face and black gloves and black boots, he's there and then he's gone and then the light comes back and he's right in your face.

Jeremy:

I would not like that. I would NOT.

Liz:

Right here in your face.

Jeremy:

I just gotta be real honest right now. I would be throwing punches. I'm not even kidding you.

Liz:

Yes, you would, but they would shut it down. If someone tried to take a punch because that's the warning. Now here's a question. Knowing this experience. How would you like to be the guy in the mask though?

Jeremy:

I, I would not like to be either. I would not. I mean, were you the guy in the mask, you were the person in black?

Liz:

So then I got to be the person in black. I started out as a ghost because like it, and there's like this heartbeat that like it accelerates and then the flashing gets faster. And out come these ghosts. So I started out as a ghost. I started out with one of like the backup dancers.

Jeremy:

You got upgraded!

Liz:

With a, like a white lycra material that then I can like push my hands in and out of. So it looks like these fingers are coming out of this fluid thing and it'd pick up the light and then we'd go, our eyes were able to adjust really easily to the darkness because we got used to it. And that's how we were able to move around. And, and the other people were really disoriented also. One of my favorite things I learned is that if somebody has like a glow in the dark watch or like a little light on them or something, that person is about to get attacked. Cause we're all like,

Jeremy:

yes. Cause you could find that light and it's moths to a flame.

Liz:

Yeah. I know. It's it's pounce. So then that one person's probably like why, why is everyone attacking me and no one else. Yeah. No, it was great. Yeah. So I did that. And then somebody took a break and was like, Hey, do you want to try being the man in black or person in black? And I was like, uh, well, how do I do that? Is it scary? They were like, you just try to like be far away and then move quickly in the darkness and be somewhere else and move quickly and watch out for people wanting to punch you.

Jeremy:

So they literally told you that.

Liz:

Yeah, well, yeah. This is like haunted house rules, no touchy on either side just generally. And if you try to punch someone, it's considered assault and we shut down a haunted house and you could get arrested depending on how much of a jerk you are. So, but they say like, like you said, some people have. A natural instinct that kicks in. And there was once we shut it down, but it was a guy who probably had, had a lot to drink, who it was a reaction. So we like ignored him and then he tried to do it again. And it was super slow to the point where we're like, okay, sorry, everyone else. That's been in line for two hours, everybody out this guy's a jerk. I know, so, but fortunately, not on my shift. So I got to like sneak up on people and it was the greatest and I was like, this is my dream come true. Improv skills. I know. I improv fear in your faces yeah, well it was like a, it's like a Halloween mask that is black fabric. So I can see through it, not. Super well, but I can see through it,

Jeremy:

but can you convey emotion?

Liz:

Just with my arms"AAAR! I'm emotionally coming to get you and AAAR! I'm emotionally running away" and"AAAR! Emotionally surprise!" I think one time, the most like adventurous I got was I did this. This is hard to do visual through this audio medium, but I, the light would come on and I would be crouching. And it would, I would just slowly move up into their, like from below their vision into their vision,

Jeremy:

you were really owning this part. You're like, I can do more with this.

Liz:

So that is when I discovered that my dream job is. Serial killer or a very specific haunted house actor. And so I feel like perhaps in this version of my life, I'm pursuing a different path. You know, not one of those bad serial killers, the one that just terrorizes people and then lets them go.

Jeremy:

What about like the sneaker upper? Like your, your profession should be the sneaky thief.

Liz:

The sneaker, the sneaker upper?

Jeremy:

I just couldn't think of a better..

Liz:

I should put that on my business card."Liz, the sneaker upper. For all your sneaker upper needs."

Jeremy:

I couldn't think of a better job. Sneaker upper.

Liz:

Oh man, I could do that. So that was a very important moment in my life. How this story kind of winds down is,

Jeremy:

wait, does the instructor come back to the improv old man? You know?

Liz:

No, that would be a great story. No, what happens is. The night that I am mass person, when the room is done, like that 30 seconds is done. You pull back our curtain with the exit door. And so then you just quietly point here's the exit inspired by the, the ghost of Christmas future, where he's just like a finger pointing in different directions. And it was quiet. So it's very inspired by that. So I'm just standing there in black of just like black pants and a black turtleneck. But I, uh, So this little kid's like, daddy, is that the man in black? And he's like, yeah, but it's a lady in black. And he says, how do you know? Um, because, uh, well son and then I, I wanted to shout at that point because it is so awkward at this moment. I'm trying to be intimidating. And if they could see behind my mask, it was bright red. And just like, feel like I got to like slouch a little. So next time I'll remember to wear something baggy. So they won't know. So serial killer who runs around screaming,"BOOBS!"

Jeremy:

Boobs! I'm a woman!

Liz:

Aaa! So the haunted house was sponsored by lovers package.

Jeremy:

Are you kidding me?

Liz:

Local romantic, no, romantic store. And so when you exit there's a little gift shop. So that scary room was like the last room.

Jeremy:

Did you have to be of a certain age to attend this? Uh,

Liz:

yeah. No, you don't. You don't have to be. I mean, I think that the way the gift shop was marketed, I say this, but again, remember people who forgot fire Marshal exists, who knew what rules, even existed.

Jeremy:

This was a fundraiser, a haunted house in a parking garage, sponsored by lovers package.

Liz:

Yeah. Are you trying to like, let people track it down,

Jeremy:

taking notes, I'm taking notes.

Liz:

Um, and so you walk out of the scary room and you're into part of the parking garage, right. Where it's like, Oh, this is the gift shop. And they're selling little things. And then you go to the exit, which is. I think there's an elevator somewhere there must've been, but it is kinda like your old school parking garage exit. Where do you go through like a nearly cement door into a cement staircase down in each layer. So you you're on the fifth floor and you go down and when you pass the fourth floor, someone radios, Hey, people just went down to the fourth floor and the fourth floor door opens behind you and a man and a bright orange outfit and like crazy hair and a chainsaw chainsaw, no chain. So it's not dangerous. It was like, Whoa. And it sounds amazing. Cause it's echoing through the whole thing just starts chasing Woah! and you're like, well, so we would like, okay,"aw gift shop". And we hear"AAAAA!", they're running out. And then one group, it was a family. It was a, it look, I mean making judgements, but it looked like a mom, a son and a dad. They are going down their stairs and the chainsaw guy comes running out and the dad pushes the mom and kid out of the way to go running to safety. To which like the chainsaw guy just kinda like lowers his chainsaw and like looks at the mom. And they're like, did that. That just happened. Oh dude, that's messed up. That

Jeremy:

is so messed up. Oh, even the chainsaw guy's like,

Liz:

Oh, Oh, that's your relationships. Even scarier than me. This is so sad. I'm so sorry. Yeah. So I remember that happening and us all like judging that dude that

Jeremy:

he's like shamed out of the haunted house.

Liz:

Um, and so then when, as we had our like celebration party, Um, there was one of the cute boys was like, Hey, Liz, let's find a place to make out or something. And I'll take you someplace special that only for you. And there was no

Jeremy:

future with this gentleman.

Liz:

Well, I mean it, I thought he was cute. And then he's like, let me take you. I know where we can like be alone. So he took me back to the haunted house and this room where there was a bench, but it was the room with the fricking hogs head, like looking at me.

Jeremy:

I was literally going to say, tell me he didn't take you to the hog's head, took you to the hog head. This guy,

Liz:

he took me to the hog's head! That's how I know there was no future with him at that moment. The hog is looking at me going, like, don't do it. So I was like, I gotta go anywhere, but here.

Jeremy:

So you did not.

Liz:

I started to, I was like, maybe, I mean, am I being over? And then I'm like kissing and I'm looking to the side, like right behind him is the eye of the pig looking at me going, Liz, you deserve better. And I was like, I know Mr. Pig. I know. Mr. Pig. So I took Mr. Pig's advice

Jeremy:

and you left.

Liz:

And I left. And then!

Jeremy:

There's more?

Liz:

So. Okay. So my professor that we will call Jacques Cousteau and this guy that we call the toad. Oh. But then I'm making out with the, you know what,

Jeremy:

he's a toad.

Liz:

It's fine. You're right. He is. And I left that because I got some great advice from the pig.

Jeremy:

The Almighty Pig!

Liz:

Almighty Pig!

Jeremy:

He is not a Prince do not do this. He is not a secret prince.

Liz:

I do not kiss him and he will turn into a secret princess chris? He will turn into a secret Christmas Prince maybe? No? A Halloween Prince? Nope. Oh, okay. Just a toad. So, cause the toad was from the improv group that Jacques Cousteau leads. So at some point during the week, the toad told my professor, I guess that I made him sad because on Monday my professors like, so I heard that you broke Toad's heart. Why are they so

Jeremy:

close? That seems awkward.

Liz:

I know, and it really, I broke his heart because also did I though? Um, cause if that's his best opportunity to see, like, this is what I have to offer the world,

Jeremy:

maybe he was checking you out for a while. Maybe through the whole thing. He was just trying to get the courage.

Liz:

The courage to invite me to the pighead room?! Severed pig head.

Jeremy:

I hope he someday listens to this. And he's like, Oh my gosh.

Liz:

That's so funny. I was just thinking, I hope he never listens to. I mean, he must look back on that and be like, yeah, no, that was probably not a good move younger me. Cause I have some embarrassing stories by this podcast. Yeah, exactly. In fact, Created a podcast, which reminds me that I need to look at the stories and make sure some of them are about me being embarrassed and not about me being by people who make poor choices about pig heads. Totally. That's the story. And what is our moral for this story? Do you think

Jeremy:

the moral of the story is, do not try to have moments that are meaningful in a room with a pig head,

Liz:

listen to the pig head.

Jeremy:

Listen to the pig head.

Liz:

We all have our inner severed pigs head. That's trying to tell you what to do.

Jeremy:

That talk to us?

Liz:

That listen. Don't you? I mean, me, me, I mean, if you don't, then me either.

Jeremy:

I have like, maybe a tiger head.

Liz:

Yeah. But I don't want it to be severed. You know what? Just, no, just don't.

Jeremy:

The moral is don't mix business with pleasure. Okay. That's all business, right? Don't mix business with pleasure.

Liz:

That's good. That's good. Um, I was volunteering. It is good to get out and meet people, but I really feel like if there is a severed pig's head in your life. That's trying to be a red flag. I mean, the only thing that was missing was the pig to like cough up a giant red flag out of its mouth and be like,"run away Liz! Run away!"

Jeremy:

Can I be more obvious?

Liz:

That just take the red flags and run? I mean, I mean, I guess you could take them, but like look at them and listen to them and acknowledge the pig head.

Jeremy:

Awesome story. Great story this week.

Liz:

And that was good cause that now you and the world knows that story and I will forever have to continue to deny it ever happened. Thanks for listening. And I hope you had as much fun listening as we've had talking about pigs heads and other fun things. I am Liz I'm Jeremy, get out there and go make some stories.

Jeremy:

Make some stories!

Liz:

Goodbye!

Jeremy:

Goodbye.

Liz:

And, uh, I've been Liz. I've been Jeremy. Yes. And, uh, I've been, well, I was, I realized, I need to say my name at the end and I forgot that we haven't, and so then I was like, I am, I am LIZ. I am. I am THE Liz.

Jeremy:

Let's do take two. Let's do take two.

Liz:

Oh, great. Hey, this'll be great singer material. If you get bored,